Sorry it took me this long to reply
My thesis is looking at contemporary fantasy (fantasy published post-2000) and how it has a tendency to adopt a modern world view as opposed to what Michael Moorcock describes as a dangerous nostalgic world view in much pre-2000 fantasy (ie. Lord of the Rings and the bulk of epic fantasy).
The texts I'm using are:
Jeff VanderMeer - City of Saints and Madmen
China Mieville - Perdido Street Station
Steph Swainston - The Year of Our War
K.J. Bishop - The Etched City
Alan Campbell - Scar Night
M. John Harrison - Viriconium
Mervyn Peake - The Gormenghast books
The last two I'm using as a precedent for fantasy authors writing from a modern world view, and at the centre of my argument is that this modern view invariably means the stories are set in cities, with little movement outside those cities, and little reference to nature. There's plenty of other novels I could use, of course. I'm arguing that the shift towards the modern view has (positively) effected the fantasy genre to such a degree that it is becoming rare to find new works that don't adopt it in large chunks. The New Weird, Steampunk and other similar movements/moments have been responsible for this too.
If anyone has any suggestions for other titles that I simply cannot do without, please let me know - any excuse to buy new books will do
